New and Experimental Music,
Art & Technolgy
2025 SOUNDOLOGIA ANTHOLOGY FESTIVAL
Soundologia Anthology Festival
Friday, September 26, 2025
The Bridge Miami – Music & Arts Incubator
4220 NW 7th Ave, Miami, FL 33127
Presented by Soundologia Records
Doors 7:30 PM
Performances 8:30 PM
Acoustic Anthology 8:30–10:00 PM
Electric Anthology 10:10 PM–Midnight
After-party Midnight–1:00 AM
Contents
Artists Gallery
Partners
Thank you for the incredible support of our partners and our venue, The Bridge Miami
Program
Acoustic Anthology (8:30–10:00 PM)
- Federico Bonacossa — In Silico (flute & live electronics)
Cassandra Eisenreich, flute · Federico Bonacossa, electronics - Charles Norman Mason — The Blazing Macaw (piano & fixed media)
Jacob Mason, piano - Orlando Jacinto Garcia — quasi chitarra (guitar & fixed media)
Federico Bonacossa, guitar - Daniel Estrada — Life Is (solo flute)
Cassandra Eisenreich, flute - Dorothy Hindman — To Spill Oneself Away… (piano)
Jacob Mason, piano - Atomic Theatre — Tripping the Line Fantastic
Daniel Medina — drums, percussion, samples, vocals, lyrics, art · Mario Del Risco — piano, bass, samples
Electric Anthology (10:30 PM–Midnight)
- Richard Garet — Material Sound (live electronics)
- Jacob David Sudol — Intermezzo (fixed media)
- José Hernández Sánchez — From the Book of Modern Sorcery (live electronics)
- Juraj Kojš — Lost & Found. Body. Feedback (solo performer & electronics)
- Night Foundation — Improvisation (live electronics)
- Eden Grey — Meditation on a Sequence (modular synthesizer improvisation)
After-party Anthology (Midnight–1:00 AM)
- David Brieske / Fsik Huvnx — DJ set
- VJ — 2urn
Composers & Performers
Atomic Theatre
Atomic Theatre began in Miami as an electronica/dark ambient/avant‑garde jazz ensemble, drawing inspiration from John Cage’s chance operations, free jazz, and early UK alternative music. Over time, the group has continued to evolve, presenting improvised and experimental jazz recordings as well as performances that combine music and poetry by founder Daniel Medina and collaborator Mario César Del Risco.
As the ensemble developed organically, it embraced Darkwave, Coldwave, and Goth subculture influences—taking cues from pioneering bands such as Joy Division, Bauhaus, Dead Can Dance, The Cure, New Order, and The Psychedelic Furs, alongside contemporary groups like She Past Away, Two Tribes, and She Wants Revenge.
Today, Atomic Theatre seeks a distinctive voice within these genres, exploring the integration of existential poetics with cutting-edge musical experimentation. Their music blends elements of experimental jazz, ambient textures, and electronica, weaving together drones, analog soundscapes, synth pads, piano, drums, and percussion.
Federico Bonacossa
Federico Bonacossa is a Miami-based composer and guitarist whose work often explores alternative tunings and integrates electronics in diverse ways. His eclectic compositions have been performed across the U.S. and internationally. A dedicated collaborator, he serves as the company composer for Dance Now Miami, creating numerous scores for the ensemble.
As a performer, Bonacossa champions new music for the guitar, particularly works that incorporate electronics and alternative tunings. He is Associate Teaching Professor of Music Theory at Florida International University and co-founder of The Last Hundred Ensemble, dedicated to music of the past century. Their 2022 debut album features his Omaggio a Marinetti, an inventive work for soprano, harp, electric guitar, and percussion (including balloons), inspired by Marinetti’s futurist poems.
David Brieske (Fsik Huvnx)
David Brieske (aka Fsik Huvnx) is an artist and curator of experimental sound. For nine years, he has hosted the monthly radio program Disconnected on Jolt Radio (joltradio.org), presenting ambient, noise, avant-garde, electronic, experimental works, field recordings, and other sounds that few others play. As Fsik Huvnx, he records and performs immersive sets that explore textural drones, electronics, and found sound.
https://www.mixcloud.com/davidbrieske/
Daniel Estrada
Daniel Estrada is a multi‑instrumentalist, composer, producer, and mixing engineer. Hailing from El Salvador, his musical journey began with early piano studies and performances in school and church. In 2016, he moved to Miami to advance his career, earning an Associate in Arts in Music from Miami Dade College. He further honed his craft at Florida International University, where he pursued a bachelor’s degree in music composition and a certificate in Music Technology, studying jazz guitar with Tom Lippencott and composition with Dr. Orlando Jacinto Garcia. Daniel has been an active presence in the Miami music scene—producing for various artists, performing with local acts such as Sunny Tali and Stillblue, and leading worship for churches including Vous Church and Brave Church.
https://sites.google.com/view/danielestradaandbeyond/home
Mario Del Risco
Mario Del Risco is a Cuban‑born, Argentinian‑raised pianist now based in Miami. He began playing music at the age of twelve, first on guitar, before turning his focus to trumpet after being inspired by jazz greats such as Miles Davis. He studied trumpet with avant‑garde improviser Leonel Kaplan, who encouraged him to pursue formal studies at the Universidad Tres de Febrero in Buenos Aires. There, Del Risco deepened his training in contemporary classical music and explored performance on flute, violin, piano, and other unconventional instruments.
Over the years, he has performed professionally across a broad spectrum of settings—from theater productions and orchestras to small ensembles in genres ranging from avant‑garde to reggae. Now living in Miami, he primarily teaches piano while continuing to perform with collaborators who share his passion for exploratory and improvisational music.
Dr. Cassandra Eisenreich
Dr. Cassandra Eisenreich is a dynamic flutist praised for her “tonal sweetness and fleet execution” (South Florida Classical Review) and described by The Flutist Quarterly as “technically clean and precise, musically expressive, and stylistically satisfying.” She is principal flutist of the Butler Symphony Orchestra and has performed with ensembles including the Pittsburgh Civic Light Opera, Florida Grand Opera, and New World Symphony. Her versatility as an artist has led to collaborations with renowned figures such as George Benson, Michael Feinstein, Terence Blanchard, Arturo Sandoval, and Josh Groban, as well as with acclaimed groups including Evanescence, Take 6, and Il Volo.
An advocate of contemporary music, Eisenreich frequently commissions and premieres new works and has performed across the U.S. and internationally, including a world premiere in Ghent, Belgium. She is a Trevor James Alto Flute Artist and a prizewinner in national and international competitions. Eisenreich is Associate Professor of Flute and Music Education at Slippery Rock University.
Orlando Jacinto Garcia
Orlando Jacinto Garcia is an influential composer whose catalog of over 200 works spans orchestral, choral, chamber, solo, and electroacoustic genres. Often described as “time-suspended sonic explorations,” his music reflects the influence of Morton Feldman and has been performed internationally across the Americas and Europe.
Born in Havana and based in the United States, Garcia has received major awards and fellowships from the Fulbright, Rockefeller, Knight, Civitella Ranieri, Bogliasco, and Cintas Foundations, as well as recognition from the American Academy of Arts and Letters. He has been a resident artist at the MacDowell and Millay Colonies, among others.
A five-time Latin Grammy nominee for Best Contemporary Classical Composition, his works are recorded on more than twenty labels, including New Albion, Innova, Métier/Divine Art, and New Focus Recordings. Garcia is the founder of the NODUS Ensemble and New Music Miami Festival, and serves as Distinguished University Professor at Florida International University.
https://www.orlandojacintogarcia.com
Richard Garet
Richard Garet is a contemporary multimedia artist whose practice engages sound, image, and perception. He holds an MFA from Bard College (NY), and his work is represented in major institutional collections including the Museum of Modern Art (MoMA), Pérez Art Museum Miami (PAMM), the Museum of Latin American Art (MOLAA), CIFO, and the SPACE Collection.
Garet has received honors from the South Florida Cultural Consortium, Prix Ars Electronica, CIFO Grants & Commissions, the Ministry of Education and Culture of Uruguay, the Foundation for Contemporary Arts, and the New York State Council on the Arts. His projects have been presented at institutions such as the National Gallery of Art, Black Mountain College Museum + Arts Center, PAMM, the San Juan Poly/Graphic Triennial, and MoMA’s Soundings: A Contemporary Score.
His work has been shown in galleries across the U.S. and Europe, and his sound pieces are published internationally by labels such as Leerraum, Line Imprint, and Contour Editions.
Eden Grey (Dr. Chelsea Bruno)
Dr. Chelsea Bruno, also known as Eden Grey, is a prolific producer and composer based in Miami. She organizes modular-synthesis events for CV FREQS in cities from Portland, Oregon, to London, England, where she completed Ph.D. research in music composition at Royal Holloway, University of London. She holds a Master’s degree in Music Technology from Florida International University and a Bachelor’s degree in Studio Art from the University of Miami. Since 2009, she has released multiple albums under the alias Eden Grey and contributed tracks to various artist compilations, drawing inspiration from dub, electro, ambient, and techno. Her current work and research focus on electronic composition, installation, modular synthesis, and cross-disciplinary collaboration grounded in improvisation. A multidisciplinary artist, she also works in painting, sculpture, and poetry. She often experiences sound synesthetically—perceiving colors or shapes when she hears music.
José Hernández Sánchez
José Hernández Sánchez composes music that extends across media, including performance and film. His works have been presented at Electric Eclectics (Canada), the Subtropics Festival, NWEAMO Festival, and the Miami Performance International Festival (U.S.), as well as at International Contemporary Music Festivals in Colombia and in Lima, Peru. Institutions such as New York University and the International Aesthetics and Philosophy of Music Congress (Ecuador) have invited him to speak on aesthetics and contemporary music. From 2004 to 2010, he held a faculty position in Music Composition at Javeriana University in Bogotá, Colombia. He currently directs The Sound of Art experimental music program at the MUD Foundation in Miami.
https://www.josehernandezsanchez.com
Dorothy Hindman
Miami composer Dorothy Hindman comes from a punk/grunge background, which she fuses with spectral techniques and classical refinement, pushing technical limits with visceral elegance. For Hindman, timbre is structural and form grows from material and a fascination with entropy; driving rhythms deliver immediate impact while revealing deeper layers on repeated hearings. Critics have hailed her music as “bright with energy and a lilting lyricism” (New York Classical Review) and “dramatic, highly strung” (Fanfare).
Her works have been performed over 450 times worldwide at Carnegie Hall, the United Nations, the American Academy in Rome, the Muziekgebouw, Berlin’s BKA-Theater, the Havana Contemporary Music Festival, the Australian Flute Festival, and Nuovi Spazi Musicali by ensembles including Ex-Sentia, [Switch~ Ensemble], Splinter Reeds, CAMP, Quince, and Bent Frequency. Recent recognition includes finalist nods from Resonate 2024 and the 2023 “Città di Udine” International Composition Competition, the NODUS 2022 Fundacio Caixa Castello award, a 2019 Mellon Foundation CREATE grant, and ISCM/New Music Miami. Her music is published by Universal Edition and Subito, with recordings on innova, Albany, and Capstone.
Juraj Kojš
Juraj Kojš (Slovakia/USA) is an “artphibian” artist whose practice spans music, sound art, theater, poetry, mixed media, multimedia, bioacoustics, and technologies—as both maker and performer. Miami New Times described his muscle-powered multimedia Renaissance as “striking and unforgettable,” MiamiArtzine called Signals “enthralling and immersive,” and the Miami Herald praised Bang for the Train as “the most profound… unexpected and enjoyable.”
Kojš has received commissions for acoustic, electroacoustic, multimedia, and installation works from The Knight Foundation, Meet the Composer, Harvestworks New York, New Music USA, Vizcaya Museum and Gardens, Deering Estate, Miami Light Project, Miami Theater Center, and Live Arts Miami. His work has been recognized by Europe—A Sound Panorama, the Miami New Times Best Off Award, the Eastman Electroacoustic Composition and Performance Competition, and the Digital Art Award Japan. His research appears in Organized Sound, Leonardo Music Journal, Computer Music Journal, and Journal of New Music Research. Kojš directs the Foundation for Emerging Technologies and Arts (FETA) and teaches at the University of Miami’s Frost School of Music.
Charles Norman Mason
Charles Norman Mason has received the Rome Prize; the MTNA Distinguished Composer Award; ACO’s “Playing it Unsafe” prize; the ISB prize; First Prize in the Yoon Jin Kim Contemporary Violin Competition; the Premi Internacional de Composició Musical Ciutat de Tarragona Orchestra Music prize; an NEA Individual Artist Award; First Prize in the Atlanta Clarinet Association Composition Competition; and the Dale Warland Singers Commission Prize.
Mason’s music has been performed worldwide and broadcast on numerous radio outlets, including Performance Today (NPR, featuring his string quartet), in Italy, and on Mexico’s Opus 94 (94.5 FM), which devoted two programs to his work. His collaborations with visual artists have appeared at Yerba Buena (San Francisco), Howard House, the American Academy in Rome, and ISPIN Gallery, and have been featured in The New York Times Magazine and the online magazine FLYP.
Dr. Mason is Professor of Composition at the Frost School of Music, University of Miami.
Jacob Mason
American pianist Jacob Mason has performed with orchestras in some of the world’s premier halls and has been invited to festivals including the Miami International Piano Festival, Kaleidoscope MusArt, Impuls (Graz), and the Birmingham New Music Festival. He won second prize at the John Cage Award (Halberstadt, Germany). Critics have called him “clearly a talented player with a penchant for offbeat and demanding repertoire,” and have praised his “rock-solid technique and attention to detail” and “dazzling fingerwork and ear for phrasing.”
The son of two composers, Mason is an active member of the global new-music community. He has founded several chamber music groups, including Escape Ensemble (Seaside, FL) and Ex-Sentia, which commissions and premieres new works by notable composers. Born in Birmingham, AL, in 1998, he holds two Master of Arts degrees from the Hochschule für Musik Basel, where he studied piano performance with Claudio Martinez Mehner and later contemporary music performance. He earned his Bachelor of Music at the University of Miami’s Frost School of Music with Kevin Kenner and previously studied at the New England Conservatory. In addition to piano, he has studied harpsichord and continuo at the Schola Cantorum Basiliensis, organ with Joanne Schulte, and electronic music at the Elektronisches Studio Basel.
Night Foundation
Night Foundation is an instrumental electronic project exploring minimalist psychedelia through all-analog hardware—vintage synthesizers, tape effects, and manipulated trumpet. Drawing deep inspiration from early American minimalism, Kosmische and ambient music, and the dark, rhythmic pulse of post-punk, the project sculpts hypnotic, texture-forward soundscapes. Night Foundation is the solo work of mixed-media artist Richard Vergez.
Jacob David Sudol
Jacob David Sudol uses new technologies to create intimate works that probe enigmatic phenomena, the inner nature of auditory perception, and connections between Eastern and Western musical cultures. His music has been performed more than 200 times by leading ensembles and performers across North America, East and Southeast Asia, and Europe. A chapter on his work appears in The Oxford Handbook of Spectral Music (Oxford University Press).
In 2012 he founded a cello/electroacoustic duo with distinguished cellist Jason Calloway, and since 2010 he has performed in the Misty Shore Duo—a piano/electroacoustic collaboration with his wife, Chen-Hui Jen. He has also worked as a recording engineer and producer for releases on Mode, Albany, Bridge, MSR, Metier, Centaur, and Neuma Records.
Dr. Sudol is Associate Professor of Music Technology and Composition at Florida International University and Coordinator of the Music Technology Area. He received FIU’s Faculty Award for Research and Creative Activities (2016) and held a Fulbright Fellowship to research and teach in Taiwan (2015–16).
Production Team
Pedja Kovačević — Festival Director & Executive Producer
Pedja Kovačević is a Serbian-born musicologist, curator, and audio engineer, as well as the founder of the Soundologia platform. With experience spanning music education, arts management, and audio production, his work centers on the study and promotion of contemporary music. His research—presented at conferences in the U.S., Poland, Greece, and Serbia—examines how music intersects with other arts, including painting, architecture, literature, and photography. Inspired by Pauline Oliveros’s concept of Deep Listening, Kovačević maintains a sustained engagement with experimental and electroacoustic music.
Through Soundologia, he curates new music releases and concerts, and hosts a podcast featuring prominent contemporary composers and sound artists from South Florida. A former instructor at Florida International University, he taught electroacoustic music and curated concerts. Now based in Chicago, Kovačević continues to work as a curator and audio engineer, specializing in recording, mixing, and mastering.
Dimitry Saïd Chamy — Art Director
Dimitry Saïd Chamy is a transdisciplinary artist, designer, and cultural producer. He works with hybrid generative systems using collaboration, process, and play to evoke what is lost, examine the present, and explore the possible through his love of nature, science, and storytelling grounded in his diasporic journey as a queer Haitian-Lebanese American immigrant.
Chamy has been awarded grants from Miami-Dade County, an Oolite Arts Creator award, and a teaching residency at Locust Projects in Miami, where he’s also shown. Other shows include Beijing Design Week, New York Fashion Week, the Yerba Buena Center for the Arts, San Francisco, and the Lowe Museum in Coral Gables. Chamy’s videos have won international awards and screenings in festivals globally. He has taught at six universities, served as an Erasmus+ Scholar, and Honorary Chair at the Art Academy in Riga, Latvia. He is a Co-Founder, Research Associate, and Resident Artist at the Ratcliffe Art & Design Incubator at Florida International University in Miami.
Mawasi Warner — Stage Manager
Mawasi Warner is a Trinidadian double bassist whose artistry and versatility extend across performance, production, and music management. He is currently pursuing a Master of Music in Music Production and Management at Florida International University (FIU), building on his Master of Music in Double Bass Performance at FIU under the mentorship of Luis Gomez-Imbert. In the summer of 2025, Warner traveled to Mexico to specialize in concert production and stage management at the Festival of Bass Music, further expanding his expertise beyond performance. Before moving to the United States, he earned a Bachelor of Fine Arts in Music at the University of Trinidad and Tobago, where he studied with Caitlyn Kamminga.
Marina Pinagel — Guest Ambassador
Marina Pinagel is a jazz vocalist, music educator, and calligraphy artist whose work bridges music and visual arts. She is the founder of Pinagel Calligraphy, a boutique studio specializing in live luxury events and brand activations. With a passion for timeless craftsmanship and meaningful connections, she uses calligraphy to bring a personalized, elegant touch to high-end experiences. As a performer and educator, she draws from her background in jazz to shape a creative practice rooted in artistry and intentional detail. Pinagel is currently a Fellow at the FIU Ratcliffe Art + Design Incubator.
Photographers
- Sid Rashlich
- Damir Dzemailovic (@manwhoshottheworld)
- Tristan Cuenca
Audio Engineer
Jacques Le Sante
© Soundologia Records · In collaboration with Subtropics Marathon
