Episode 08: Nurturing Orchids and Preserving Slovak Identity through Music & Love with Juraj Kojš

In this episode, composer, performer, and sound artist Juraj Kojš discusses his heritage and how he combines plants, orchids, and technologies to make multimedia events and sound installations. As someone tied to his Slovakian origin, Juraj creates multiple works to explore topics related to his origin and immigration in general.

About Juraj Kojs

Juraj Kojš (Slovakia/USA) is a composer, performer, and sound designer. Juraj has been exploring music, sound art, theater, poetry, dance, mixed media, multimedia, bioacoustics, and technologies as a creator and performer. He called himself an artphibian, the artist whose practice resides on the border between different artistic disciplines. Kojš’s commissions include The Knight Foundation, Meet the Composer, Harvestworks, Vizcaya Museum and Gardens, Miami Theater Center, and Live Arts Miami. Juraj received awards in Europe – A Sound Panorama, Eastman Electroacoustic Composition, Performance Competition, and the Digital Art Award. His research can be read in Organized Sound, Leonardo Music Journal, and Computer Music Journal. Kojš directs FETA Foundation and is an Associate Professor of Professional Practice at the University of Miami’s Frost School of Music.

Juraj’s book recommendation to our listeners

In Search of a Concrete Music by Pierre Schaeffer, translated by Ch. North and J. Dack, University of California Press, 2012.

To contact Juraj Kojš, send an email to:

j.kojs@miami.edu

Find more about Juraj Kojš

Kojš’s Website

Bandcamp page

Music on SoundCloud

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Pedja Kovačević
Pedja Kovačević

Pedja Kovačević is a Serbian-born musicologist, curator, and music producer, and the founder of Soundologia — a curatorial platform, record label, podcast, and festival dedicated to contemporary and experimental music. He moved to the United States in 2018 and holds degrees in musicology from the Faculty of Music, University of Arts in Belgrade, and in Music Management and Production from Florida International University’s School of Music.

As curator and executive producer of the Soundologia Anthology series, Pedja has commissioned, produced, and released three volumes documenting the work of South Florida’s contemporary composers and sound artists, presented in connection with the Soundologia Anthology Festival in Miami. He has taught experimental and electroacoustic music at FIU’s School of Music and has worked as a program coordinator and music administrator at music and arts schools in Miami.

As a musicologist and music writer, Pedja has published articles and presented research at international conferences and forums in the United States, Poland, Greece, and Serbia. His writing explores the relationship between music and other art forms, including painting, architecture, poetry, prose, and photography, as well as questions of listening, sound, and musical perception. His research has also examined Deep Listening, a concept introduced by American composer Pauline Oliveros, as a way of reconsidering the aesthetic dimensions of sound. Through Soundologia, Pedja promotes contemporary and experimental music and presents extended conversations with composers and sound artists about their work.

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